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A yacht, drifting aimlessly off the shores of Brittany. Empty. Diane Granger, managing director of a renowned crisis management consultancy, had gone out sailing alone. What happened? The firm's young consultants, the "heirs", find themselves left to their own devices, forced to confront a pitiless competition alone, without Diane.

Gilles Groulx's first film shot in 1955 with a camera borrowed from his brother and edited during his spare time when he worked as an editor at the Radio-Canada news service a few years before he joined the NFB. Silent film, presented as its author left it, where the soil and the dialectic of Groulx's work are already there: documentary realism, the social space to be explored, daily life, the relationship between individual and society, social disparities, the consumer society, seduction and happiness.

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Children jump over each others’ backs in two lines advancing toward the camera.

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The saga of the Trudeau family and the trials and tribulations of dealing with each other while trying to run a small hotel. It seemed like a good idea at the time. The family patriarch, George, spent the family fortune and bought the Inn. When the old man passed away, his last will and testament, delivered on video, bequeathed the Inn to his beloved black dog. Now, his three sons and their families, his ex-wife, mistress and various employees must find a way to get along and manage the family business without driving each other completely crazy.

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